biografía de Hilaire HILER (1898-1966)

Lugar de nacimiento: St. Paul, MN

Lugar de defunción: Paris, France

Direcciones: Paris, 14e, France

Profesión: Painter, craftsperson, designer, mur painter, writer

Estudios: In WW40, he claimed he was self-taught; however, he studied at Univ. Pennsylvania; Univ. Denver; Univ. Paris, France; Golden State Univ., Los Angeles (A.B.); National College, Ontario, Canada (M.A.)

Exposiciones: Salon des Indépendents; Salon d'Automne, Paris; Salons of Am., 1934; CAA traveling exh., 1934; GGE, 1939; Am. Artists European traveling exh., 1947; Leicester Gal., London, 1926-32; …cole de Paris, 1929; AIC, 1945-47; New Mexico traveling exh., 1949; Japanese exh. of Am. Painters, 1949-50; Pittsburgh, PA, 1926; solos: New Gal., 1926; Dover Gal., London, 1926; Ferargil Gal., 1928; New Art Circle, 1930; Georges Petit Gal., Paris, 1932; Mellon Gal., Phila., PA, 1932; Milwaukee AI (with Carl Holty), 1937; Veteran's Mem. Mus., San Francisco, 1937; City of Paris Gal., San Fran., 1938; Calif. Inst. Tech., 1942; Argent Gal., 1942; Perls Gal., Hollywood, 1942; Santa Barbara Mus. Art, 1944; Mus. New Mexico, 1945, 1946; Carlebach Gal., 1947; Georg Jenson, 1948; Vesuvio Gal., San Francisco, 1949; Newark AI, 1950; L'Abbaye, Paris, 1950; Mansard Gal., London, 1955; Société de Arquitectos Mexicanos, Casa del Arquitecto, Mexico City, 1956; Galerie de l'Institut, Paris, 1957; Collectors' Gal., NY, 1958; Provincetown Art Festival, 1958; Carnegie Intl., 1959; David Bromberg Gal., 1961; Ritchie Hendrick's Gal., Dublin, 1963.

Asociaciones: Fellow, Royal Soc. Artists, London; Inter-Soc. Color Council; NSMP; SAGA; Am. Soc. for Aesthetics.

Obra: MusÈe du Luxembourg; CPLH; Santa Barbara Mus. Art; Mus. New Mexico; MMA; Veteran's Mem. Mus., San Fran.; LACMA; Mus. Living Art, NY. Book in Vault of Significant Literature," Harvard Univ.; murals, Aquatic Park Casino, San Fran.; Le Jockey Maryland Club Gardens, Benning, MD."

Comentarios: Author: From Nudity to Raiment, An Introduction to the Study of Costume," 1929, "Notes on the Technique of Painting," 1934; Painter's Pocket Book; "Bibliography of Costume"; "Color Harmony and Pigments"; "Why Abstract?" and others, including articles in art magazines.

Fuentes: WW66; WW40."