Lo último del Mercado del Arte sobre Hermann NITSCH (1938-2022)
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Christie’s Paris celebrates its 20th anniversary [10/12/2021]
Twenty years have passed since François Curiel set up the French headquarters of Christie’s in Paris. The British company’s arrival in France was made possible in 2001 by the French government finally cancelling the royal decree prohibiting foreign competition for auctions and opening its internal market to international companies. When they arrived, Christie’s decided to […]
Hermann Nitsch : Paris/New-York [07/05/2021]
With the creation and ‘actions’ of the Orgies & Mysteries Theatre in 1957, Hermann Nitsch caused a sensation in the Post-War art world (and beyond). The group put on powerful performances bringing together painting, architecture, opera, music and ‘actions’ for a ‘total art’ with a cathartic objective… a “celebration of purification and abreaction”. Although symbolic […]
Flash News: Frieze / London – Carlos Cruz Diez / Paris – Philippe Parreno / Tate Modern – Art.Fair Cologne 2016 – Johan Creten / Crac / Sète [07/10/2016]
Get ready for Frieze London! The first big art event of the autumn, Frieze London opens from 6th to 9th October 2016. This London fine art fair is continuously expanding. Building on its success in the contemporary art market, Frieze London has now been divided in two, with Frieze Masters, a space dedicated to the […]
Flash News [31/05/2013]
Every fortnight, Artprice provides a short round up of art market news.
Viennafair kicks off European art fairs [25/09/2012]
The Viennafair (20-23 September) opened the European art fair season before Brussels (Fotofever, 4 – 7 October), London (Frieze 11 – 14 October 2012), Paris (FIAC, 18 – 21 October 2012) and their myriad of “Off” shows.
Hermann Nitsch : the aesthetics of soiling [08/07/2007]
Hermann Nitsch is considered to be the leading light of Viennese Actionism (1962-1968), a protest movement which aimed to heal the wounds created during the Third Reich. They did this by breaking taboos through group rituals and private ceremonies steeped in blond and excrement. Remaining faithful to his first “happenings”, Nitsch continues his organic and impulsive rhetoric as he reaches his 70s. His paintings in oil, acrylic and blood evoke the sacrificial violence which featured in his Theatre of Orgies and Mysteries.
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