Lo último del Mercado del Arte sobre Paul CÉZANNE (1839-1906)
El último informe de Artprice
Índice ArtMarket® Insight
Sotheby’s records [29/04/2011]
Every fortnight Artprice posts a new or updated ranking in its Alternate-Friday Top Series. The focus of today’s TOP article is the 10 best auction results generated by Sotheby’s.
The 10 best results on the London art market in 2010 [19/08/2010]
Every fortnight Artprice provides you with a new or updated ranking in its Alternate-Friday Top Series. The theme of today’s TOP article is the 10 best auction results in London this year.
A wave of optimism at the London sales [08/02/2010]
Christie’s and Sotheby’s have won their gamble. The Impressionist & Modern Art sales on 2 and 3 February in London generated one global all-segment record and 29 results above £1m out of 87 lots offered. Christie’s managed to sell 87.5% of its lots for £61m (est. £48m-69m) plus the £8.5m from its special session devoted to surrealist art.
Impressionist and Modern sales in London – unabashed confidence! [25/01/2010]
Since the peak in January 2008, the price index of Impressionist art has contracted sharply: down 39.3%. But for Christie’s and Sotheby’s – judging by the high estimates in the catalogues for their upcoming London sales – the price deflation is now over.
The TOP 10 artists [13/03/2008]
Every year Artprice compiles a ranking of artists based on the total revenue generated by public sales of each artist’s work, with Pablo Picasso invariably taking the number one position on the market podium. Not so in 2007: after nearly 10 years, the champion of modern art has been dethroned by the guru of Pop art, Andy Warhol. Second in 2006, Warhol became the global market leader in 2007.More than just one name replacing another, this ‘event’ reflects a veritable sea-change in the auction world. While in the 1990s the very pinnacle of the art market belonged to the impressionists, particularly Auguste Renoir and Claude Monet, and then, after 2000, to the moderns with Pablo Picasso and Gustave Klimt, today, and possibly for some time to come, the market has hoisted contemporary art to the summit of the pyramid.
The New York sales at new highs [28/10/2007]
On 6 and 7 November the two key sales of the auction season will take place in New York. Sotheby’s and Christie’s have assembled for the occasion a selection of important works by Paul Gauguin, Vincent Van Gogh, Claude Monet, Cézanne and even Franz Marc. To date, pre-sale estimates from the two auction houses have never been so high.
Sotheby’s dominates the ‘impressionist and modern’ art sales in New York [15/05/2007]
Sotheby’s managed, as had been hoped, to outpace its competitor Christie’s in the impressionist and modern art sales held on 8 and 9 May 2007, obtaining results which gave it pole position in this round. However, the lead can’t yet be described as significant: $278,548,000 compared with $236,464,000 for sales under the hammer at Rockefeller Plaza.
Great expectations for New York’s May auctions [02/05/2007]
On 8 November last year, Christie’s New York managed to far outstrip its principal competitor Sotheby’s with a record sale that generated USD 491 million from 78 lots!This year Sotheby’s is planning a spectacular response with its New York sales of ‘Impressionist and Modern Art’ and ‘Contemporary Art’ that it estimates will generate between 416 and 561 millions dollars.
2006 – Cézanne centenary [25/01/2006]
In 2006 two exhibitions will mark the centenary of the death of Paul Cézanne, one at the Musée d’Orsay in Paris and the other in Aix-en-Provence. These events might revitalise the market for Cezanne’s works, that has lost steam over the last five years.
Impressionist and Modern Art sales generate USD 291 million [03/11/2005]
The Impressionist and Modern Art sales held on 1 and 2 November by Christie’s and Sotheby’s respectively were a huge success. The two auction houses generated a total of USD 291 million from the sale of 110 of the 123 lots on offer.
Cezanne and Pissarro at the MoMA [10/07/2005]
The MoMA (New York) is presenting a major impressionist exhibition running until 12 September 2005, entitled “Pioneering Modern Painting: Cézanne and Pissarro 1865–1885” in which a selection of 85 works traces the career of these two Impressionist masters. Cézanne and Pissarro first met in 1861 and subsequently worked regularly together in Pontoise and Auvers sur Oise.
Gloomy times for impressionists while modernists triumph [16/11/2003]
The US art market was in fine form at the Impressionism and Modern Art evening sales. Thanks to a number of wealthy American bidders, several major lots went for more than their high estimates. A healthy 75 of 102 lots put up found buyers on the evenings of 4 and 5 November, and total turnover was USD 216 million.
New York under the spotlight [22/10/2003]
The evenings of 4 and 5 November see two of the biggest media events of the year: the eagerly awaited New York Impressionist & Modern Art sales. The art market is generally having a thin time, but is the same true at the very top end? We will find out when we see how the world’s wealthiest collectors receive the exceptional pieces on the stands in New York.
How do the art market heavyweights measure up? [15/06/2003]
The world’s top ten artists by turnover (see rankings) generated USD506 million at auction in 2002. With only 1.7% of total transaction volumes they represent 20% of the art market.
Star turns at the Impressionism & Modern Art auctions in New York [16/04/2003]
Sotheby’s and Christie’s are taking similar approaches to the evening auctions to be held on 6 and 7 May. Both are banking on Renoir and Degas from the impressionists, dropping Picasso, and hoping to continue selling Giacometti sculptures in bulk. Some of the works on offer may seem oddly familiar…
As the world’s stock markets plunge Rubens’ "Massacre of the Innocents" drives the art market through the roof [15/07/2002]
On Wednesday 10 July 2002, "The Massacre of the Innocents" by Peter Paul RUBENS became the most expensive old master painting ever sold at auction. It was only recently identified as a Rubens having previously been attributed to the lesser-known Jan van den Hoecke. Once the painting’s authorship was clarified a record price was clearly on the cards, particularly as Peter Paul RUBENS’ index has been in stunning form lately: +540% since 1997.
Colaboradores
0
