Chuck CLOSE (1940)
Remates
| Todos los remates | 932 |
| Grabado | 519 |
| Fotografia | 269 |
| Tapiz | 51 |
| Dibujo Acuarela | 50 |
| Pintura | 40 |
| Escultura | 3 |
| Otras categorías ... | |
Obras en venta en salas de subastas
| Todas las obras | 3 |
| Grabado | 2 |
| Fotografia | 1 |
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ArtMarketInsight
Fridays are the best! Every other Friday Artprice offers you a themed auction ranking.
Every fortnight, Artprice provides a short round up of art market news: Japan in Australia – Niki de Saint Phalle in the line of sight – ART.FAIR 2014
At roughly the same time as the emergence on the American scene of Pop art, with its appropriation of the codes of a ravenously consumerist society, a number of their fellow countrymen started
Hyperrealism, which emerged in the USA in the 60s, inherits its attachment to a banal everyday version of reality from Pop art. The artists draw their subjects from real life; but it is a “second-hand” real life, because they do not create their works directly in front of the person or thing they are depicting, but from photographs. They demonstrate a great, often laborious, technical virtuosity, to transcribe a reality that has been examined under a microscope.
On 12 May 2005, Christie’s set a new record for a contemporary art auction, generating USD 31.7 million more than the existing record of USD 102.7 million also set by Christie’s last year. It only took 65 lots to reach USD 133.7 million. As spectacular, 17 records were beaten during this evening session alone. The record-breakers include notably Franz Kline, Edward Hopper, James Rosenquist, Elizabeth Peyton, Richard Prince and Peter Doig.