Deploying a highly realized trompe l'oeil technique, Dmitry Yuzefovich creates a conceptual tension between what is real and what is memory. All his paintings come from memory and harken notions of a childhood full of mystery, trauma, and dilapidation. The nostalgia is nuanced here: there is fondness and complexity, safety and danger.

Dmitry creates visualizations of spaces and objects in which they combine to form a puzzle of personal and universal memories. In his oil paintings, a language is created based on the connection between memory fragments and the possibility of their implementation in the present. Yuzefovich has exhibited in solo and group exhibitions. His paintings have been collected in Israel, Canada, the US, England, and Europe.